By Rita Felski
Contemporary concept is stuffed with references to the trendy and the postmodern. How important are those phrases? What precisely do they suggest? and the way is our feel of those phrases altering less than the strain of feminist analysis?
In Doing Time, Rita Felski argues that it makes little feel to think about the trendy and postmodern as opposing or antithetical phrases. relatively, we want a historic viewpoint that's attuned to cultural and political modifications in the similar time in addition to the leaky obstacles among assorted times.
Neither the trendy nor the postmodern are unified, coherent, or self-evident realities. Drawing on cultural stories and significant idea, Felski examines a number topics vital to debates approximately postmodern tradition, together with altering meanings of sophistication, the top of historical past, the prestige of paintings and aesthetics, postmodernism as "the finish of sex," and the politics of pop culture. putting girls on the middle of research, she indicates, has a profound impression at the approach we factor approximately ancient classes. hence, feminist concept helps to reshape our imaginative and prescient of either the fashionable and the postmodern.
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Extra info for Doing Time: Feminist Theory and Postmodern Culture
15 Aspects of Orwell’s portrayal of the textures of English lower-middle-class life are perceptive, yet his vision is also a curiously monochromatic one. Orwell’s relentless focus on petit bourgeois vulgarity and small-mindedness often brings to mind the high-handed denunciations of mass culture emanating from the Frankfurt School. While Keep the Aspidistra Flying concludes with a final epiphany, whereby the erstwhile rebel Gordon Comstock comes to recognize the vitality, honor, and decency that dwell in suburban souls, this conversion is largely unmotivated and singularly unconvincing.
37. Morris, “Introduction,” 11. 38. ” 39. Johannes Fabian, Time and the Other: How Anthropology Makes Its Object (New York: Columbia University Press, 1983), xi. 40. Elliot Jacques, “The Enigma of Time,” in The Sociology of Time, ed. John Hassard (London: Macmillan, 1990), 21. 41. Ernst Bloch, Heritage of Our Time (Cambridge: Polity, 1991), 97. 42. Homi Bhabha, The Location of Culture (New York: Routledge, 1994), 241. 43. Siegfried Kracauer, History: The Last Things before the Last (Princeton, NJ: Markus Wiener, 1995), 66.
The animus directed at the lower middle class is profoundly saturated by historical—and historicist—assumptions about who counts as an authentically modern subject. This is, then, the leitmotif that links many of the following essays. Who gets to represent the modern or the postmodern and who does not? Why are some social groups and cultural forms seen as authentically of their time and others doomed to lag behind, moored in an earlier era? Why are our cultural perceptions and fantasies about gender, race, and class so closely tied to historical and temporal schemes?