By Laura Kurgan
The maps during this booklet are drawn with satellites, assembled with pixels radioed from outer house, and produced from facts; they checklist occasions of extreme clash and show basic alterations in our methods of seeing and of experiencing house. those maps are equipped with international Positioning platforms (GPS), distant sensing satellites, or Geographic details platforms (GIS): electronic spatial and software program designed for such army and governmental makes use of as reconnaissance, secrecy, tracking, ballistics, the census, and nationwide protection. instead of shying clear of the politics and complexities in their meant makes use of, in Close Up at a Distance Laura Kurgan makes an attempt to light up them. Poised on the intersection of artwork, structure, activism, and geography, her research uncovers the implicit biases of the recent perspectives, the technique of recording info they current, and the recent areas they've got opened up.
Her presentation of those maps reclaims, repurposes, and discovers new or even inadvertent makes use of for them, together with documentary, memorial, renovation, interpretation, political, or just aesthetic. GPS has been to be had to either civilians and the army when you consider that 1991; the realm extensive internet democratized the distribution of information in 1992; Google Earth has captured international bird’s-eye perspectives considering the fact that 2005. know-how has led to a progressive shift in our skill to navigate, inhabit, and outline the spatial realm. The strains of interactions, either actual and digital, charted via the maps in Close Up at a Distance outline this shift.
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Additional info for Close up at a distance : mapping, technology, and politics
From the facts on the ground to the exhilaration of disorientation, the projects and writing, the images and data, collected here all aim to open spaces for discussion and action. They affirm the necessity of critique, and they reject the idea that critique requires “critical distance,” at least in the ordinary sense. That is, they aim to make more space in the public sphere for the participation of everyone, not just governments, their militaries, and the experts tasked with making interpretations of global imagery to serve those constituencies.
47 Modern architects reinvented this drawing technique another hundred years later, in 1923, showing an object from the top and the side view in equal measures in order deliberately to generate a decentered modernist aesthetic of ambiguity. . ”48 “The axonometric drawing hovers or flies above its object,” concludes Bois. ” With it, he says, “a new mode of geographical representation was created: ‘a flattened and cubist map of the earth,’ which demanded new skills to relate the image to the ground”: “Composite photographic images demanded a different way of looking than the still photograph did.
Military and intelligence agencies (for instance, Corona), to those launched with public funds to monitor the Earth’s resources (Landsat and SPOT), to privately launched satellites that today make very high-resolution imagery publicly available (for instance, Ikonos and GeoEye). This sequence tells the story of the technopolitical transformation of access to remote-sensing imagery, a progression in both access and resolution that today makes very detailed images of the Earth from outer spac;e almost commonplace.