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By Fred Yager, Jan Yager

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Think long term. If this is a stepping stone to your film career, focus on the experience you will gain and the knowledge you will develop of what works and does not work as a screenplay. com. Contact every company listed where you would want to work and ask if they need a Script Reader. The Script 13 Literary Agent CAREER PROFILE Career ladder Duties: Sell the work of screenwriters; get screenwriters writing assignments; represent screenwriters to producers or film companies; and handle the optioning of novels or other literary materials for possible development as movies Alternate Title(s): Agent Salary Range: $15,000 to $200,000+ Employment Prospects: Good Advancement Prospects: Fair Best Geographical Location(s): It’s preferable to be based near the movers and shakers in the film industry in Los Angeles/Hollywood or New York City, so that in-person meetings are easier, but the Internet, fax, and cell phone makes it possible to work from anywhere as long as there is a willingness to travel for meetings on a regular or as-needed basis Prerequisites: Education and Training—Although not a requirement, a college or advanced degree in film or English is helpful; on-the-job training at a film company or literary agency Experience—Internship; starting as an administrative assistant and working up to assistant to a Lit- Head of Own Agency Position Description There are Literary Agents who only represent screenwriters to independent production companies or the studios.

Org) or your literary agent for the most recent minimums. Salaried positions on staff are rare for screenwriters, although many work as story editors or directors of development while awaiting their big break. Employment Prospects The film industry is a growth business, and since the Screenwriter is fundamental to every film, employment prospects for Screenwriters are good. Screenwriters are basically in two employment groups: freelance Screenwriters, who sell their work and live by those sales, and Screenwriters who have an employment contract with a producer or a studio for a specific movie or time period.

According to Linda Stuart, a story analyst and author of Getting Your Script through the Hollywood Maze, in some smaller film companies the Story Editor may also be the story analyst. In a larger company, such as Disney, as many as 18 full-time story analysts may be employed, and Warner Brothers has 14. By contrast, according to Stuart, a smaller production company may rely on freelance story analysts, and the Story Editor may coordinate getting the materials to them and relaying their analyses to the director of development.

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